by Berries » Sun Dec 02, 2007 6:16 pm
I'm a professional musician (piano) and also do a lot of composition and songwriting. I think that it is really normal not to like the sound of your voice when you hear it recorded. Our voices sound different from inside our heads. Some ways to deal with this are to get a headset thingy (barbershop quartet members sometimes use 'em) that wraps some channels around your head to allow you to hear your voice differently. Or you can put down your instrument and cup your hands down low under your hears.
Also, if you're recording your vocals dry (no reverb) or, conversely, with too many effects, or in a bad acoustic space, or without a compressor/gate, or at the wrong levels, or with a not-great mic, it's going to sound unpleasant in some ways. Professional recordists know that the human voice is really hard to capture. So you probably sound better than you think, anyway. My own recordings sound iffy, but I had a sound-guy friend help me with three demos, and in those, I think I must sound better than in real life, just because he's so good at what he does.
Once any mic issues are squared away, it might help to just do what my voice teacher suggests and record yourself as often as possible. You can listen to singers you like and try, on tape, to imitate them. This lets you know that you have stylistic choices you can make pretty quickly to change your sound. Somehow, I think doing this can help with identity and self-dislike issues when it comes to the voice, if you consciously develop your own style over time.
Lastly, if you're either breathy or sound like you're straining (as you sing higher), then you might want to look into speech-level singing (SLS) lessons or buy one of the home CD sets with SLS exercises on them. The exercises can help your vocal cords work more efficiently, without imposing an unwanted style, like classical, on you.
Best of luck! I am super self-conscious about my own voice and writing, even though I play an instrument in public every day. I joined a songwriting critique group and leave it in tears every time, not because I receive devastating criticism, but because I have to let a roomful of people listen to a recorded demo of my song. Very hard for me to deal with, but I'm getting a little stronger each time.
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