
Narcissists and others diagnosed with Cluster B disorders are known for their difficulty establishing and maintaining boundaries in relationships. This often results in relationships that contain elements from types of relationships that are usually considered mutually exclusive. In a less general case, I find that many narcissistic and non-narcissistic men alike report difficulty in their relationships because of their experiences interacting with, or direct intervention by, their narcissistic mothers.
I find that this is an element in my relationships: I relate to the female other as parent, be the relationship romantic or otherwise. I sometimes have fantasies about my love interests treating me in a maternal way; I imagine them stroking my hair or giving me affectionate kisses; sometimes they bathe me or I suck on their breasts. I love it when a woman cares for me, and I go absolutely nuts when a woman feeds me. I feel safer nowhere else than with my head in a woman's lap; I love to think about how the origin of life lies just beneath her surface; I love her warmth. To me, a woman's lap is measureless and radiant expanse.
This isn't at the front of my mind often; mostly when it's relevant to a woman in my life or I observe art containing such themes. My impetus today is the film Boogie Nights. A great film by any measure; generous reviews and a thoroughly characterized performance by an ensemble cast if ever there was one. My particular interest is the relationship between Eddie (Mark Wahlberg) and Maggie (Julianne Moore.) Obviously some characterization is in order.
In the late 1970s, Eddie is a 17-year-old dishwasher at a Los Angeles nightclub when he is approached by film director Jack Horner (Burt Reynolds) and offered a job as a pornographic actor. At first he is reluctant because he doesn't want to disappoint his boss and is afraid of his parents' potential perceptions. Despite initial rejection, Jack persists in his efforts. Eddie comes home very late one night after partying with Jack, and his mother is waiting for him. Eddie's mother is a critical, puritanical woman with high expectations who shies away from the affections of her family. She confronts him about his unconventional lifestyle, interrogates him about his lovers, and criticizes his intelligence and moral integrity. Completely enraged, he leaves home, moves in with Jack and Maggie, adopts the stage name Dirk Diggler, and begins a career as an actor.
Maggie, also known by her stage name Amber Waves, is a pornographic actress who is estranged from her husband and son. Although she wants to be in their lives, her husband prevents it at every turn due to her unconventional career and lifestyle, and her history of substance abuse. I would argue that her main conflict is the reconciliation of her love for her identity and her love of family. Throughout the story, as a result of her experience, her natural maternal instincts, and her longing to be reunited with her family, she fulfills the roles of surrogate parent and mentor for two major characters including Eddie.
That is the context.
Eddie's first day of work arrives. Conveniently, the plot of the film within the film is a series of auditions for a pornographic film. This opens the door for all sorts of dual meaning and self-referential commentary. The scene will soon begin and Maggie and Eddie have a short casual conversation:
Maggie: Do you want to practice your lines with me?
Eddie: No. I know it.
Maggie: You look great, honey.
Eddie: Thanks.
Eddie: Does [Jack] want me to keep going until I come?
Maggie: Yeah. You just come when you're ready.
Eddie: Where should I do it?
Maggie: Where do you want?
Eddie: Wherever you tell me.
Maggie: Come on my tits. If you can, OK? Just pull it out and do it on my stomach and my tits.
Eddie: Yeah. No problem.
Maggie: Are you all right, honey?
Eddie: This is great. I'm fine. I just want to do good. I just want it to be really good. Is it OK if I really try to make it look sexy? Would that be OK?
Maggie: Great. (smiling)
You can see Maggie's maternal behavior beginning to shine here: she is concerned about his feelings, addresses him with terms of endearment, and encourages him to act on his creative impulses. An important thing to note is how he tries to meet her expectations by asking her, among other things, where to ejaculate. Then, by first giving him a choice, Maggie demonstrates her openness and reasonable expectations about Eddie's performance.
Maggie plays the interviewer and Eddie the interviewee, the scene begins, and they engage in intercourse under the pretext of an audition. The entire cast and crew are captivated by the sight of them making love, and before they know it they've used an entire magazine of film. Then:
Kurt (the cinematographer): We've rolled out.
Bill (a crew member; to Jack): We gotta change mags.
Jack: Do it quickly.
Bill (to Maggie and Eddie): Kids.
Eddie: Is everything cool?
Bill: It's going great. We just got to change the angle.
Eddie: Does it look sexy?
Bill: It's great.
Maggie: You're doing so good, Dirk.
Eddie: Does it feel good?
*Maggie smiles wistfully.*
Jack: Roll sound, Scotty.
Jack: Speed. Quiet. Sticks. Marker.
Jack: We're back. Action, kids.
Maggie: We're going to go down now.
*Eddie starts to move to perform cunnilingus on Maggie.*
Maggie: No. Do it again.
*Maggie and Eddie lie down on the office desk.*
Maggie: John, you're a wonderful actor. You're amazing.
Eddie: You feel so good, Amber.
Maggie: You ready to come?
*Eddie nods.*
Maggie: Come in me.
Eddie: What?
Maggie: Don't worry. I'm fixed.
Maggie: I want you to come in me.
Eddie: Oh, God.
*Maggie and Eddie orgasm together. They kiss and smile.*
Jack: Wonderful. Cut. Terrific!
Maggie continues her maternal role. She offers positive reinforcement and compliments. When she says, "John, you're a wonderful actor," clearly she is referring to Eddie's character in the explicit sense. Yet because it is production of film within film (within film

What do you guys think about it? Maybe I just love MILFs.

In conclusion, are parent-child relationship dynamics an element in your relationships, romantic or otherwise? I'd especially be interested to hear what makes someone want to fulfill a parental role rather than a childlike role, as this is rarely discussed in my experience.