by naps » Tue May 05, 2015 9:57 pm
I know this is pretty leftfield, but it is a supremely excellent example: Darren Aronofsky's first film (he later went on to do stuff like 'The Wrestler' and 'Noah') was a little indie thing called "π" (pi). It's about a mathematician named Max who runs into a lot of trouble when he discovers the secret of the titular number. He is a character that displays so many dead-on symptoms of AvPD that I suspect Aronafsky, who wrote the film, is an avoidant (whether he knows it or not). Even the wikipedia page for this film describes Max as having social anxiety. Max lives alone in Manhattan. He has way too many locks on his door and always peeks through his peephole to be sure there's no one in the hallway before leaving his apartment. He treats the cute little girl in his building who constantly asks him to calculate complex mathematical equations in his head as a mere annoyance. There is a pretty woman who lives across the hall who mothers him and brings him food, but Max can't bring himself to acknowledge her with more than a few nervous syllables, even though he sexually fantasizes about her. Whenever his phone rings, he stares at it with incredulous horror but rarely answers. Aronofsky pumps up the volume of the ringing phone ridiculously loud, so it is as jarring to the viewer as it is to Max. Max has no friends and goes everywhere alone.In the scenes where he is walking down the street, Aronofsky uses that technique where a camera is strapped to the actor's chest so that he appears to move independently of his surroundings, but it only serves to isolate Max more from the crowds on the street, which are shot, from Max"s point of view, slightly speeded up, with a wide lens. This gives the effect of the people he passes to all be seemingly heading straight for him. When he goes into a coffee shop and a friendly man initiates a conversation, Max ignores him. He suffers from massive headaches so severe he frequently hallucinates. One time he imagines his front door is shaking, the locks slowly turning, until it suddenly bursts open. And this is all within the first then minutes of the movie.
A good half of the films action, including some of the most important plot developments, occur with Max alone in his apartment. Later in the film, when told he will be receiving a very special delivery, he instructs the sender to leave it at his door, knock, then go away because, as he puts it, "I'm a very private person"
I haven't watched it in a while, but I'm sure there are dozens more examples of this character's AvPD that I'm forgetting about. I hesitate to recommend this film because, while I like it a lot, I find a lot of people hate it. It's over-stylized and shot in grainy black and white, but anyone who's interested in eccentric characters, psychological thrillers, or even mathematics should check it out.